cloudscudding: Photo of Abra Staffin-Wiebe (Default)
Thoughts in Passing

I'm in the middle of a massive hack-and-slash on a finished novella project, cutting 29,200 words down to 25,000 so that I can submit it a shorter version to a particular place. That means I need to cut enough words that they would make a good-sized short story all by themselves. I'm about a quarter done. I approach this project in the spirit of taking out everything that I possibly can, from adjectives to not-entirely-critical character interactions to whole scenes that can be summarized or omitted.

That is not how I normally approach editing. I don't believe that cutting down to the bone is best for every story. You can lose a lot of your personal voice and style that way. (I still cut my fair share of weasel words and plot going nowhere and bits that only exist to get from Point A to Point B, I assure you!)

I've also cut a couple hundred words from my "finished" long version. Maybe 1/10th of the time, the shorter version is stronger, not just different. I don't recommend gutting your story simply to see what works better that way, but it's a good exercise to try once. Save the original version first!

What I've been up to lately, writing-wise:

I held back on announcing this, because reasons, but I have a new publication to announce! My short story, "Miracle Material," appears in Mother's Revenge: A Dark and Bizarre Anthology of Global Proportions.

In this mixed genre group of eco-tales, thirty-two authors from around the globe offer up some lessons in why it's wise to be kind to Mother Earth. Read and take heed. Your very life may depend on it!


 
And if you're in Minneapolis, next Sunday I'm leading a free workshop on PoV (Point of View). Come and say hi!


Meetup event: https://www.meetup.com/MinnSpec/events/239675908/

(Read the rest of this Aswiebe's Market List update here: http://www.aswiebe.com/writing/archive2017.html#081617)
cloudscudding: Photo of Abra Staffin-Wiebe (Default)

We are in the thick of the part of the year known as "convention season." This is a mixed blessing for my reading list. Reading books is panel prep! It counts as working! On the other hand, I try to keep distractions out of my reading list and so there are all kinds of wonderfully tempting books that I'm postponing reading for the next couple of months.

This summer, I'm on panels at 4th Street Fantasy Convention (next week!) and CONvergence. I'm also teaching a couple of one-day classes at The Loft Literary Center, but they aren't the kind that require reading whole novels.

Stealth Characterization via Setting (https://www.loft.org/shop/product_detail/2/classes/998/stealth_characterization_via_setting/) explores creating characters indirectly, through how you construct and describe their surroundings.

 Writer ... With Kids: Finding Time to Create (https://www.loft.org/shop/product_detail/4/adult_class/1015/writerwith_kids_finding_time_to_create/) is a class for creative people with too little time.

 Interested? Go register!

 For 4th Street, I'm reading urban fantasy. I've started with a re-read of War for the Oaks by Emma Bull. It's been a few years since I last read it, but I know I'll enjoy it.

 My 4th Street panel is the very first panel of the convention: Even in Byerly’s, You’re Not Out of the Woods.

 Description:

Thirty years ago, Emma Bull’s War for the Oaks gave us a vision of Minneapolis in which the magic was, much like Minneapolis’ own, hung on a balance between the pastoral influence of parks and wilderness and the urban jungle of clubs, skyscrapers, restaurants, and cavernous grocery stores. How has this intersection of asphalt and isolation influenced the genre moving forward? What unique elements of the numinous can we find where green spaces touch city shadows? Fantasy fixed itself up a nice place in the city a few generations ago — is it still a comfortable tenant? What does pastoral even mean to those who’ve never known magic outside the shadow of a smokestack?

 Panelists: Holly Black, Pamela Dean, Casey Blair, Dana Baird, and me.

I'm on three panels at CONvergence. Two of the panels are discussing writing techniques, but I'm going to need to brush up a bit for the third one, which is about the surveillance state in reality and fiction.

Thursday, Jul 6, 8:30 PM
Soul of Wit
Description: Short story and flash fiction authors discuss their writing techniques and provide tips on how to make the most of a limited word count. Panelists: Abra Staffin-Wiebe, Aimee Kuzenski, Ben San Del, Elizabeth Bear (mod), Roy C. Booth

Friday, Jul 7, 5:00 PM
What to Do When They're Watching You
Science fiction writers have long been concerned about a surveillance state, but recent technologies have made this fear more and more realistic. What technologies are watching us and what does science fiction tell us to do about it? Panelists: Abra Staffin-Wiebe, Dave Walbridge, Craig A. Finseth, Jamie Riedesel, Eric Zawadzki (mod)

Friday, Jul 7, 7:00 PM
Pixar's Story Writing Rules
Pixar has published 22 rules to aid in writing stories. Which ones work? Do any NOT work? Panelists: Abra Staffin-Wiebe, Melissa Olson (mod), John Heimbuch, Dave Walbridge, Tex Thompson

 

 Do you have any recommendations for good SF about living in a surveillance state? Let me know! The setting can be near-future or far-future. I am especially interested in stories that came out within the last few years.

 Do any of the panel topics raise questions in your mind? What are they? I want to be as prepared as I can be for what the audience might want to know.

Finally, if you know anyone who might be interested in the productivity or advanced characterization classes, please point them that way!
 

 Painted eyes

 

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